Martha Tuttle. Basin, 2019. Wool, linen, graphite, ultramarine ash, rock crystal, quartz, steel, 23 x 40 inches; 32 x 14 inches.
Torkwase Dyson. A Wetter World (1919: Black Water), 2019. Acrylic on canvas, 72 x 60 inches.
Torkwase Dyson. Fossil Blues (1919: Black Water), 2019. Graphite, acrylic, and ink on canvas, 96 x 72 inches.
Torkwase Dyson. Deepest Orientation (1919: Black Water), 2019. Graphite, acrylic, and ink on canvas with wood, 60 inch Tondo.
Sol Lewitt. Horizontal Brushstrokes (More or Less), 2003. Gouache on paper, 26.25 x 34 x 1.25 inches, framed.
Sol Lewitt. Cube,1965. Painted steel on aluminum base, 10 x 10 inches, edition of 25.
The Bomb, 1966. Gouache and ink on paper, 16.5 x 22 inches, paper, 21.25 x 27.25 inches, framed
Nancy Spero, Artemis, 1983. Collage on paper, 60 x 24.75 x 1.5 inches, framed.
Gordon Matta-Clark. Sliced Brick Building, 1977. Black and white photographs with cuts, 12.5 x 14.75 inches, framed.
Gordon Matta-Clark. Office Baroque, 1977. Cibachrome, 17 x 41.75 inches, framed.
Spencer Finch. Reflection Study, 2019. Florescent fixtures & filters, 8.5 x 96 inches.
Gordon Parks. Ondria Tanner and her Grandmother Window - Shopping, Mobile, Alabama,1956. Archival pigment print, 28 x 28 inches, edition 9/10.
Deana Lawson. Walking Home on Some Road, Gemena, DR Congo, 2015. Inkjet print mounted on sintra, 36 x 45 inches, edition 1/3.
Mel Bochner. Vulgar, 2017. Oil on velvet, 16.75 x 22.5 inches.
Barbara Rossi. Feather Picture, 1971. Color etching and aquatint on white satin with feathers, 23 x 20.5 inches, framed.
Natalie Frank. Still Life with Lobster (Grimm Ballet), 2019. Gouache and chalk pastel on paper, 22 x 30 inches.
Spencer Finch. Western Mystery (She Sweeps with Many-Colored Brooms) #9, 2019. Yarn collaged to paper, 22 x 30 inches.
Jacob Hashimoto. The Rhythm of One Possible Tomorrow, 2019. Wood, paper, acrylic, inkjet and Dacron, 22 x 18.5 x 8 inches.
Whole Worlds of Time Fragments and Ambition Blurred into Madness, 2019. Wood, acrylic, bamboo, paper and Dacron, 72.5 x 56 x 8.25 inches.
Derrick Adams. Self Portrait on Float, 2019. Woodblock, goldleaf, collage, 40 x 40 inches, edition 33/50.
Gordon Parks. The Invisible Man, Harlem, 1952, 1952. Gelatin silver print, 20 x 24 inches, edition 10/10.
Gordon Parks. Otside Looking In, Mobile, Alabama, 1956, 1956. Archival pigment print, 42 x 42 inches, edition 3 of 7.
Martha Tuttle. Let Rocks be your Guide, 2019. Wool, linen, pigment, slag and aluminum. Diptych, 12 x 12 inches (each).
Martha Tuttle. Arrangement 6, 2019. Wool, linen, pigment, 32 x 25 inches.
Martha Tuttle. Arrangement 7, 2019. Wool, linen, pigment, 32 x 25 inches.
Martha Tuttle. Arrangement 4, 2019. Wool, linen, pigment, 32 x 25 inches.
Martha Tuttle. Arrangement 2, 2019. Wool, linen, pigment, 32 x 25 inches.
Gordon Parks. American Gothic, Washington, D.C., 1942. Gelatin silver print, 11 x 14 inches, print, 21.25 x 17.75 inches, framed.
Gordon Parks. Untitled, Harlem, New York, 1963. Archival pigment print, 26 x 34.25 inches, framed.
Gladys Nilsson. Girly Stuff, 2016. Ink, graphite, watercolor, and gouache on paper collage, 20 x 14.125 inches.
Gladys Nilsson. Soft, 2014. Graphite and colored pencil on paper collage, 9 x 6 inches.
Gladys Nilsson. Seated, 2015. Ink, graphite and colored pencil on paper collage, 14 3/16 x 10 1/4 inches.
Gladys Nilsson. Repose, 2017. Acrylic on canvas, 36 x 60 inches.
Gladys Nilson. Classic in the Woods, 2017. Acrylic and paper collage on canvas, 26.125 x 48 inches.
Gladys Nilsson. Out After Dark, 2019. Acrylic on canvas, 22 x 28 inches.
Deana Lawson. Communion, 2017. Inkjet print, mounted on Sintra, 43 x 54 inches, print.
Deana Lawson. Cascade, 2019. Inkjet print, mounted on Dibond, 61.75 x 50 inches, print.
Sol LeWitt. Irregular Grid, 2001. Gouache on paper.
Sol LeWitt. Alternate parallel straight black, yellow, red and blue lines of random length, not touching the sides of the page, 1972. Ink on paper, 14 x 14 inches.
Judy Ledgerwood. Wonder Boy, 2015. Oil on canvas, 84 x 60 inches.
Judy Ledgerwood. Eye Opener, 2018. Oil on canvas, 36 x 30 inches.
Natalie Frank. Woman, Hair Eater I, 2019. Linen pulp on cotton base sheet.
Spencer Finch. Pacific Ocean, Stinson Beach, California, November 10, 2004 (noon effect), 2009. Watercolor on paper (fabriano exta white hot press), 22 x 30 inches, paper, 25.313 x 33.5 inches, framed.
Spencer Finch. Fog (Lake Wononscopomac), 2016. Pastel and pencil on paper, 25 x 32.25 inches, framed.
