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The Armory Show

New York, NY

Booth 808

March 5 – 8, 2020

The Armory Show

New York, NY

Booth 808

March 5 – 8, 2020

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Jacob Hashimoto.  Of Self Destroying, Transitory Things, 2020.  Wood, acrylic, bamboo, paper and Dacron, 57 x 46.25 x 8.25 inches.  

Jacob Hashimoto.  Of Self Destroying, Transitory Things, 2020.  Wood, acrylic, bamboo, paper and Dacron, 57 x 46.25 x 8.25 inches.  

Julia Fish.  Trace 4: after Threshold, SouthWest - Two [ spectrum: green ], 2010.  Ink on UV paper, 12 x 18 inches, framed.  

Julia Fish.  Trace 4: after Threshold, SouthWest - Two [ spectrum: green ], 2010.  Ink on UV paper, 12 x 18 inches, framed.  

Gordon Parks.  Ella Watson with Her Grandchildren, Washington, D.C., 1942.  Gelatin silver print, 11 x 14 inches.  

Gordon Parks.  Ella Watson with Her Grandchildren, Washington, D.C., 1942.  Gelatin silver print, 11 x 14 inches.  

Gladys Nilsson.  Blank Verse, 2018.  Acrylic on canvas, 20 x 16 inches.  

Gladys Nilsson.  Blank Verse, 2018.  Acrylic on canvas, 20 x 16 inches.  

Julia Fish.  Trace 1: after Threshold, SouthWest - One [spectrum - red], 2016. Ink on UV paper.

Julia Fish.  Trace 1: after Threshold, SouthWest - One [spectrum - red], 2016. Ink on UV paper.

Vito Acconci.  Conversions III (Association, Assistance, Dependence), 1970-1971.  3 gelatin silver prints and 1 typewritten sheet mounted on board and window matte, 26 x 22 inches, framed.  

Vito Acconci.  Conversions III (Association, Assistance, Dependence), 1970-1971.  3 gelatin silver prints and 1 typewritten sheet mounted on board and window matte, 26 x 22 inches, framed.  

Robert Heinecken.  14 or 15 Buffalo Ladies #1C, 1969. Silver gelatin print with pen, 13.25 x 9 inches; 21 x 16 inches.

Robert Heinecken.  14 or 15 Buffalo Ladies #1C, 1969. Silver gelatin print with pen, 13.25 x 9 inches; 21 x 16 inches.

Martha Tuttle. Let Rocks be your Guide, 2019. Wool, linen, pigment, slag and aluminum. Diptych, 12 x 12 inches (each). 

Martha Tuttle. Let Rocks be your Guide, 2019. Wool, linen, pigment, slag and aluminum. Diptych, 12 x 12 inches (each). 

Derrick Adams.  Floater 87, 2020.  Acrylic paint and fabric collage on paper, 50 x 50 inches.  

Derrick Adams.  Floater 87, 2020.  Acrylic paint and fabric collage on paper, 50 x 50 inches.  

Jacob Hashimoto.  As If Invention Were Some Irrecoverable Point of Departure, 2019. Wood, acrylic, bamboo, paper and Dacron, 52 x 42 x 8.25 inches.

Jacob Hashimoto.  As If Invention Were Some Irrecoverable Point of Departure, 2019. Wood, acrylic, bamboo, paper and Dacron, 52 x 42 x 8.25 inches.

Jacob Hashimoto.  The Extraction of Magic, 2019.  Wood, acrylic, bamboo, paper and Dacron, 28 x 21 x 8.25 inches.

Jacob Hashimoto.  The Extraction of Magic, 2019.  Wood, acrylic, bamboo, paper and Dacron, 28 x 21 x 8.25 inches.

Derrick Adams/Crossroads/2012/Digital photograph

Derrick Adams.  Crossroads, 2012. Digital photograph, 44 x 36 inches, Edition of 3.

Robert Heinecken.  Revised Magazine: Woody Allen - Cries Whispers, 1993.  20 double-sided pages, each 10/5 x 7.625 inches.  

Robert Heinecken.  Revised Magazine: Woody Allen - Cries Whispers, 1993.  20 double-sided pages, each 10/5 x 7.625 inches.  

Sol Lewitt. Horizontal Brushstrokes (More or Less), 2003. Gouache on paper, 26.25 x 34 x 1.25 inches, framed.

Sol Lewitt. Horizontal Brushstrokes (More or Less), 2003. Gouache on paper, 26.25 x 34 x 1.25 inches, framed.

Sol Lewitt.  Untitled, 1966.  Ink and pencil on paper, 13 x 9.75 inches, framed.  

Sol Lewitt.  Untitled, 1966.  Ink and pencil on paper, 13 x 9.75 inches, framed.  

Sol Lewitt.  Untitled, 1966. Ink and pencil on paper, 8.25 x 5.5 inches, paper, 13 x 9.75 inches, framed.

Sol Lewitt.  Untitled, 1966. Ink and pencil on paper, 8.25 x 5.5 inches, paper, 13 x 9.75 inches, framed.

Sol Lewitt.  Unknown, 1967.  Ink on paper, 13.5 x 17 inches, framed.  

Sol Lewitt.  Unknown, 1967.  Ink on paper, 13.5 x 17 inches, framed.  

Sol Lewitt.  Modular Structure (#6), 1967. Ballpoint pen on brown paper, 8.5 x 11 inches, framed.

Sol Lewitt.  Modular Structure (#6), 1967. Ballpoint pen on brown paper, 8.5 x 11 inches, framed.

Sol Lewitt.  Wall Drawing: Proposal for R. Cohen's Residence, Cambridge, 1985.  Color ink wash, 23 x 16.5 inches, framed.  

Sol Lewitt.  Wall Drawing: Proposal for R. Cohen's Residence, Cambridge, 1985.  Color ink wash, 23 x 16.5 inches, framed.  

Richard Rezac.  Untitled (12-01), 2012.  Painted maple wood and aluminum, 24 x 11 x 4.5 inches.  

Richard Rezac.  Untitled (12-01), 2012.  Painted maple wood and aluminum, 24 x 11 x 4.5 inches.  

Gordon Parks.  Untitled, Nashville, Tennessee,1956.  Archival pigment print, 30.5 x 23.5 inches, framed.  Edition 1/10.  

Gordon Parks.  Untitled, Nashville, Tennessee,1956.  Archival pigment print, 30.5 x 23.5 inches, framed.  Edition 1/10.  

Gordon Parks.  Boys looking in a car window, Harlem, New york, August 1943, 1943.  Gelatin silver print, 20 x 24 inches.  Edition 1/10.  

Gordon Parks.  Boys looking in a car window, Harlem, New york, August 1943, 1943.  Gelatin silver print, 20 x 24 inches.  Edition 1/10.  

Gordon Parks.  Untitled, Alabama, 1956.  Archival pigment print, 11 x 14 inches.  Edition 12/15.   

Gordon Parks.  Untitled, Alabama, 1956.  Archival pigment print, 11 x 14 inches.  Edition 12/15.   

Gordon Parks.  Airline Terminal, Atlanta, Georgia, 1956, 1956.  Archival pigment print, 11 x 14 inches.  Edition 12/15.  

Gordon Parks.  Airline Terminal, Atlanta, Georgia, 1956, 1956.  Archival pigment print, 11 x 14 inches.  Edition 12/15.  

Gordon Parks.  Black Muslim Schoolchildren, Chicago, IL, 1963.  Lifetime gelatin silver print, 11 x 14 inches.  

Gordon Parks.  Black Muslim Schoolchildren, Chicago, IL, 1963.  Lifetime gelatin silver print, 11 x 14 inches.  

Gordon Parks.  Untitled, Chicago, Illinois, 1957.  Archival pigment print, 16 x 20 inches.  Edition 1/15.  

Gordon Parks.  Untitled, Chicago, Illinois, 1957.  Archival pigment print, 16 x 20 inches.  Edition 1/15.  

Natalie Frank.  Woman (over the shoulder), 2019.  Mixed media on panel, 20 x 16 inches.  

Natalie Frank.  Woman (over the shoulder), 2019.  Mixed media on panel, 20 x 16 inches.  

Lumine IV: asunder [twilight]

Julia Fish.  Lumine IV: asunder [twilight], 2017. Oil on canvas, 23 x 27 inches.

Natalie Frank.  Woman with Bouquet, 2019.  Linen pulp paint on cotton base sheet, 35 x 29 inches.  

Natalie Frank.  Woman with Bouquet, 2019.  Linen pulp paint on cotton base sheet, 35 x 29 inches.  

Natallie Frank.  Woman, Hair Eater VIII, 2019.  Linen pulp paint on cotton base sheet, 34 x 27 inches.  

Natallie Frank.  Woman, Hair Eater VIII, 2019.  Linen pulp paint on cotton base sheet, 34 x 27 inches.  

Richard Tuttle.  Blue/Red Phase: Drawing #2, 2002.  Gouache and graphite on paper, 13 1/2 x 10 7/8.  

Richard Tuttle.  Blue/Red Phase: Drawing #2, 2002.  Gouache and graphite on paper, 13 1/2 x 10 7/8.  

Richard Artschwager.  Running Man, 2011.  Pastel on handmade paper, 17 x 11 inches.  

Richard Artschwager.  Running Man, 2011.  Pastel on handmade paper, 17 x 11 inches.  

Richard Artschwager, Corner Exclamation.  Hand painted acrylic on wood in two parts, 25 x 6 x 4 inches; 6 x 5 x 3 inches.  

Richard Artschwager, Corner Exclamation.  Hand painted acrylic on wood in two parts, 25 x 6 x 4 inches; 6 x 5 x 3 inches.  

Nancy Spero. The Bomb, 1966. Gouache and ink on paper, 16.5 x 22 inches, paper, 21.25 x 27.25 inches, framed

Nancy Spero. The Bomb, 1966. Gouache and ink on paper, 16.5 x 22 inches, paper, 21.25 x 27.25 inches, framed

Nancy Spero.  Lilith, 1985.  Handprinting and printed collage on paper, 19.5 x 24.5 inches, framed.  

Nancy Spero.  Lilith, 1985.  Handprinting and printed collage on paper, 19.5 x 24.5 inches, framed.  

Martha Tuttle. Basin, 2019. Wool, linen, graphite, ultramarine ash, rock crystal, quartz, steel, 23 x 40 inches; 32 x 14 inches.

Martha Tuttle. Basin, 2019. Wool, linen, graphite, ultramarine ash, rock crystal, quartz, steel, 23 x 40 inches; 32 x 14 inches.

Gladys Nilsson. Girly Stuff, 2016. Ink, graphite, watercolor, and gouache on paper collage, 20 x 14.125 inches.

Gladys Nilsson. Girly Stuff, 2016. Ink, graphite, watercolor, and gouache on paper collage, 20 x 14.125 inches.

Spencer Finch. Fog (Lake Wononscopomac), 2016. Pastel and pencil on paper, 25 x 32.25 inches, framed.

Spencer Finch. Fog (Lake Wononscopomac), 2016. Pastel and pencil on paper, 25 x 32.25 inches, framed.

Wassef Boutros-Ghali.  Untitled, 2009.  Acrylic on canvas, 46 x 38 inches.  

Wassef Boutros-Ghali.  Untitled, 2009.  Acrylic on canvas, 46 x 38 inches.  

Wassef Boutros-Ghali.  The Path (Le Passage), 2001.  Acrylic on canvas, 46 x 38 inches.  

Wassef Boutros-Ghali.  The Path (Le Passage), 2001.  Acrylic on canvas, 46 x 38 inches.  

Wassef Boutros-Ghali.  Untitled.  Acrylic on canvas, 38 x 46 inches.  

Wassef Boutros-Ghali.  Untitled.  Acrylic on canvas, 38 x 46 inches.  

Wassef Boutros-Ghali.  Untitled, 2014.  Acrylic on canvas, 46 x 38 inches.  

Wassef Boutros-Ghali.  Untitled, 2014.  Acrylic on canvas, 46 x 38 inches.  

Jacob Hashimoto.  Of Self Destroying, Transitory Things, 2020.  Wood, acrylic, bamboo, paper and Dacron, 57 x 46.25 x 8.25 inches.   Julia Fish.  Trace 4: after Threshold, SouthWest - Two [ spectrum: green ], 2010.  Ink on UV paper, 12 x 18 inches, framed.   Gordon Parks.  Ella Watson with Her Grandchildren, Washington, D.C., 1942.  Gelatin silver print, 11 x 14 inches.   Gladys Nilsson.  Blank Verse, 2018.  Acrylic on canvas, 20 x 16 inches.   Julia Fish.  Trace 1: after Threshold, SouthWest - One [spectrum - red], 2016. Ink on UV paper. Vito Acconci.  Conversions III (Association, Assistance, Dependence), 1970-1971.  3 gelatin silver prints and 1 typewritten sheet mounted on board and window matte, 26 x 22 inches, framed.   Robert Heinecken.  14 or 15 Buffalo Ladies #1C, 1969. Silver gelatin print with pen, 13.25 x 9 inches; 21 x 16 inches. Martha Tuttle. Let Rocks be your Guide, 2019. Wool, linen, pigment, slag and aluminum. Diptych, 12 x 12 inches (each).  Derrick Adams.  Floater 87, 2020.  Acrylic paint and fabric collage on paper, 50 x 50 inches.   Jacob Hashimoto.  As If Invention Were Some Irrecoverable Point of Departure, 2019. Wood, acrylic, bamboo, paper and Dacron, 52 x 42 x 8.25 inches. Jacob Hashimoto.  The Extraction of Magic, 2019.  Wood, acrylic, bamboo, paper and Dacron, 28 x 21 x 8.25 inches. Derrick Adams/Crossroads/2012/Digital photograph Robert Heinecken.  Revised Magazine: Woody Allen - Cries Whispers, 1993.  20 double-sided pages, each 10/5 x 7.625 inches.   Sol Lewitt. Horizontal Brushstrokes (More or Less), 2003. Gouache on paper, 26.25 x 34 x 1.25 inches, framed. Sol Lewitt.  Untitled, 1966.  Ink and pencil on paper, 13 x 9.75 inches, framed.   Sol Lewitt.  Untitled, 1966. Ink and pencil on paper, 8.25 x 5.5 inches, paper, 13 x 9.75 inches, framed. Sol Lewitt.  Unknown, 1967.  Ink on paper, 13.5 x 17 inches, framed.   Sol Lewitt.  Modular Structure (#6), 1967. Ballpoint pen on brown paper, 8.5 x 11 inches, framed. Sol Lewitt.  Wall Drawing: Proposal for R. Cohen's Residence, Cambridge, 1985.  Color ink wash, 23 x 16.5 inches, framed.   Richard Rezac.  Untitled (12-01), 2012.  Painted maple wood and aluminum, 24 x 11 x 4.5 inches.   Gordon Parks.  Untitled, Nashville, Tennessee,1956.  Archival pigment print, 30.5 x 23.5 inches, framed.  Edition 1/10.   Gordon Parks.  Boys looking in a car window, Harlem, New york, August 1943, 1943.  Gelatin silver print, 20 x 24 inches.  Edition 1/10.   Gordon Parks.  Untitled, Alabama, 1956.  Archival pigment print, 11 x 14 inches.  Edition 12/15.    Gordon Parks.  Airline Terminal, Atlanta, Georgia, 1956, 1956.  Archival pigment print, 11 x 14 inches.  Edition 12/15.   Gordon Parks.  Black Muslim Schoolchildren, Chicago, IL, 1963.  Lifetime gelatin silver print, 11 x 14 inches.   Gordon Parks.  Untitled, Chicago, Illinois, 1957.  Archival pigment print, 16 x 20 inches.  Edition 1/15.   Natalie Frank.  Woman (over the shoulder), 2019.  Mixed media on panel, 20 x 16 inches.   Lumine IV: asunder [twilight] Natalie Frank.  Woman with Bouquet, 2019.  Linen pulp paint on cotton base sheet, 35 x 29 inches.   Natallie Frank.  Woman, Hair Eater VIII, 2019.  Linen pulp paint on cotton base sheet, 34 x 27 inches.   Richard Tuttle.  Blue/Red Phase: Drawing #2, 2002.  Gouache and graphite on paper, 13 1/2 x 10 7/8.   Richard Artschwager.  Running Man, 2011.  Pastel on handmade paper, 17 x 11 inches.   Richard Artschwager, Corner Exclamation.  Hand painted acrylic on wood in two parts, 25 x 6 x 4 inches; 6 x 5 x 3 inches.   Nancy Spero. The Bomb, 1966. Gouache and ink on paper, 16.5 x 22 inches, paper, 21.25 x 27.25 inches, framed Nancy Spero.  Lilith, 1985.  Handprinting and printed collage on paper, 19.5 x 24.5 inches, framed.   Martha Tuttle. Basin, 2019. Wool, linen, graphite, ultramarine ash, rock crystal, quartz, steel, 23 x 40 inches; 32 x 14 inches. Gladys Nilsson. Girly Stuff, 2016. Ink, graphite, watercolor, and gouache on paper collage, 20 x 14.125 inches. Spencer Finch. Fog (Lake Wononscopomac), 2016. Pastel and pencil on paper, 25 x 32.25 inches, framed. Wassef Boutros-Ghali.  Untitled, 2009.  Acrylic on canvas, 46 x 38 inches.   Wassef Boutros-Ghali.  The Path (Le Passage), 2001.  Acrylic on canvas, 46 x 38 inches.   Wassef Boutros-Ghali.  Untitled.  Acrylic on canvas, 38 x 46 inches.   Wassef Boutros-Ghali.  Untitled, 2014.  Acrylic on canvas, 46 x 38 inches.  
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