The Bomb, 1966
Gouache and ink on paper
16.5 x 22 inches, paper
21.25 x 27.25 inches, framed
Normal Love, 1974
Handprinting and collage on paper
8.75 x 9.5 inches
Artemis, 1983
Collage on paper
56 x 20 inches, paper
60 x 24.75 x 1.5 inches, framed
Mourning Women No. 3, 1989
Handprinting and printed collage on paper
25-1/2 x 38-1/4 inches
Vietnamese Women Totem, 1985
Handprinting and collage on paper
110 x 20 inches
Nancy Spero (American, 1926-2009) was an American painter whose work is an unapologetic statement against the pervasive abuse of power, Western privilege, and male dominance. Executed with a raw intensity on paper and in ephemeral installations, her work often draws its imagery and subject matter from current and historical events such as the torture of women in Nicaragua, the extermination of Jews in the Holocaust, and the atrocities of the Vietnam War. Spero samples from a rich range of visual sources of women as protagonists—from Egyptian hieroglyphics, seventeenth-century French history painting, and Frederick’s of Hollywood lingerie advertisements. Spero’s figures co-exist in nonhierarchical compositions on monumental scrolls, and visually reinforce principles of equality and tolerance.
She received a BFA from the School of the Art Institute of Chicago (1949), and honorary doctorates from the School of the Art Institute of Chicago (1991) and Williams College (2001). Spero was elected to the American Academy of Arts and Letters (2006). Awards include a Lifetime Achievement Award from the College Art Association (2005); the Honor Award from the Women’s Caucus for Art (2003); the Hiroshima Art Prize (jointly with Leon Golub, 1996); and the Skowhegan Medal (1995). Major exhibitions include Centro Galego de Arte Contemporanea, Santiago de Compostela (2003); Massachusetts Institute of Technology, List Visual Arts Center, Cambridge (1994); the Institute of Contemporary Art, Boston (1994); the Museum of Modern Art, New York (1992); and the Museum of Contemporary Art, Los Angeles (1988).
On Jan. 18, The Gund unveiled a broad range of new exhibitions, featuring the dynamic works of Nancy Spero, Naeem Mohaiemen and the collective of artists in the Art for Justice Fund.
The complexities of womanhood are familiar fodder for the art world, which has always had artists and curators use their platform to educate on the diversity of experiences possible.
Below are a few shows on view during Women’s History Month that articulate the subject with elegance.
Review of Nancy Spero: Paper Mirror at MoMA PS1
Review of Paper Mirror at MoMA PS1, New York.
Review of Nancy Spero: Unbound at the Colby College Museum of Art.