ANB M 109 1a, 2017
Oil on canvas
24 x 17.2 inches
ANB M 109 1b, 2017
Oil on canvas
24 x 17.2 inches
ANB M 109 1c, 2017
Oil on canvas
24 x 17.2 inches
ANB M 109 4, 2017
Oil on canvas
24 x 17.2 inches
Study Sheet for ANB M 109 1, 2017
Silverpoint on prepared paper
9.5 x 7.25 inches, paper
14.75 x 12.5 inches, framed
AIC M 225, 2014
Oil on canvas
29 x 36.5 inches
David Schutter’s practice is a form of phenomenological study that discusses the distances and problems encountered when making a painting. His works are as much performative re-enactments of specific canonical sources as they are discreet paintings and drawings, and as such form a painter’s repertory of extended rehearsals. These investigations are not homage, but instead a way toward understanding continued expectations that paintings function along historical values. In his approach to his subjects, Schutter locates his practice within the traditions of philosophical inquiry by beginning with the surfaces of things. His questions elicit responses to how we re-stratify our knowledge of the past while developing representations of the present, how we can uncover circumscribed categories and make new knowledge from the experience, and how repeated questions come to be ultimately forms of description in a world where the past is often a difficult and arguable anteriority.
David Schutter has had solo exhibitions at the Gemäldegalerie, Berlin; the National Gallery of Modern Art, Edinburgh; the Istituto Centrale per la Grafica, Palazzo Poli, Rome; the Museum of Contemporary Art, Chicago; the Reva and David Logan Center for the Arts at the University of Chicago; with Aurel Scheibler, Berlin; Magazzino, Rome; Sikkema Jenkins & Co., New York; and Rhona Hoffman Gallery, Chicago. His work has been included in group exhibitions at Le Magasin, Centre National Art d’ Contemporain, Grenoble; the David Roberts Art Foundation, London; Fondazione Memmo, Rome; the American Academy in Rome; Museo d’Arte Contemporanea, Rome; The Goma, Madrid; Frans Hals Museum and De Hallen, Haarlem; the Aishti Foundation, Antelias, Lebanon; HISK Ghent; the 5th Glasgow International Biennial; and documenta 14. Schutter is the recipient of a 2018 John Simon Guggenheim Memorial Foundation Fellowship, a Rome Prize from the American Academy in Rome, is a German Chancellor Fellow of the Alexander von Humboldt Foundation, and is a Fulbright Scholar.
Painting as a repertory of gestures.
In June, many collectors travel to Switzerland. Not just because of the art fairs in Basel. Zurich has dedicated an entire weekend to art. The exhibitions can be seen even longer.
“Accesso” at Alfonso Artiaco was curated by art historian Christian Malycha and includes the work of six German artists.
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What You Need to Know: Curated by art historian and writer Christian Malycha, “Accesso” at Naples Alfonso Artiaco gallery brings together works by three generations of German artists, namely André Butzer, Albert Oehlen, David Schutter, Jana Schröder, Raphaela Simon, and Ulrich Wulff. The exhibition is essentially broken into six solo exhibitions, and the artists have arranged their works within individual rooms in the gallery. Passing from the expressive freedom of Albert Oehlen’s works through to the contemporary visions of Jana Schröder and Raphaela Simon, the exhibition offers an open conversation about shifting artistic approaches across generations.
Charles Le Brun’s drawing manual on human emotions has been used for centuries by artists and students as a model for depicting facial expressions. In David Schutter’s work, Le Brun’s manual is set to a different direction—a series of abstract drawings recalling vestiges of the human face animated by emotion. But Schutter’s drawings are neither copies nor portraiture. Rather, they are reflections on how Lebrun’s renderings were made.
Adam Szymczyk discusses the historical and philosophical underpinnings of David Schutter's Liebermann Suite, which "offers a possibility to overcome the normative, institutional protocols of forgetting through a tentative rendition of what stands in for whatever cannot be seen or told."
David Schutter is a recipient of a 2018 John Simon Guggenheim Memorial Foundation fellowship in the Fine Arts category.
Review of Night Work at Rhona Hoffman Gallery.
Interview with the artist by Jude Stewart.
David Schutter in Conversation with Dieter Roelstraete.
Review of SPOLIA at Istituto Centrale per la Grafica, Rome.
Edition review of Study for Autograph Repetition (2013) by Susan Tallman.
Review of What is Not Clear is Not French at Rhona Hoffman Gallery.
Review of David Schutter by Josephine Halvorson.
Review of What is Not Clear is Not French at Rhona Hoffman Gallery.