![Julia Fish, Trace 1: after Threshold, SouthWest - One [spectrum - red], 2016. Ink on UV paper.](https://img.artlogic.net/w_1438,h_862,c_limit/exhibit-e/5bed9642a5aa2cac488b4567/ade62e20f0fc61d32e49d3020eb4b6b8.jpeg)
Derrick Adams
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Rhona Hoffman Gallery, Booth 131, EXPO Chicago 2019.
Robert Heinecken, T.V. Newswomen Corresponding (Faith and Barbara), 1986. Three cibachrome prints and TV matte lithographs.
Sol LeWitt, Alternate parallel straight black, yellow, red and blue lines of random length, not touching the sides of the page, 1972. Ink on paper.
Sol LeWitt, Irregular Grid, 2001. Gouache on paper.
Anne Wilson, Dispersions (no. 6), 2013. Thread, hair, cloth, white steel frame.
Judy Ledgerwood, The Smell of Rain and Mondays, 2012. Oil on canvas.
Judy Ledgerwood, Ode to Dries (Van Noten), 2005. Acrylic on paper.
Julia Fish, Trace 1: after Threshold, SouthWest - One [spectrum - red], 2016. Ink on UV paper.
Gordon Parks, Ondria Tanner and Her Grandmother Window-shopping, Mobile, Alabama, 1956,1956. Archival pigment print.
Jacob Hashimoto, The Dark Forest, 2017. Wood, acrylic, bamboo, paper and Dacron.
Michael Rakowitz, The Invisible Enemy Should Not Exist (Recovered, Missing, Stolen Series), 2007-09. Middle eastern packaging and newspaper, glue.
Natalie Frank. Woman, Hair Eater I, 2019. Linen pulp on cotton base sheet.
![Julia Fish, Trace 1: after Threshold, SouthWest - One [spectrum - red], 2016. Ink on UV paper.](https://img.artlogic.net/w_260,h_180,c_limit/exhibit-e/5bed9642a5aa2cac488b4567/ade62e20f0fc61d32e49d3020eb4b6b8.jpeg)
